Watercolors: Kremer Pigments

-




I often work in watercolors. Though they can be difficult, and I have made a lot of rather awful paintings using them, they are an integral part of my art life.

I have used many different brands over the years, ranging from school grade to the top of the line. I have done good and bad paintings with both. The main difference is the amount of pigment vs. fillers - the more expensive watercolors have a denser and richer color.  Think of it in terms of a mostly meat meatball vs one that is a mostly breadcrumbs meatball.

I prefer pan watercolors because I like the ease of traveling with them. When I hike/travel, I have a small cross body bag that fits a 9 x 6" watercolor pad, 3-4 full sets of watercolor, brushes, paper towel, and collapsable cup. If I don't want to carry water on me, I bring my water brushes, although carrying water with you is always a good thing. 

I discovered Kremer Pigments which is in located in Chelsea in NYC . My abstract drawing teacher/mentor/friend introduced me to them and after using hers, I fell in love, and every year or so I buy myself a present of one of their sets, or build my own set. They last forever and I can always replace the colors that I run out of. (a painted color chart with numbers comes with each set). I use them in both my design work, and my fine art work. 

THIS WEEKEND THEY ARE HAVING A 20% off sale. Well, it is Tuesday, but they are suggesting people load up their cart over the weekend, and then buy on Tuesday, as their website can get all jammed up with everyone trying to shop on the same day. If you have a bit of cash burning a hole in your pocket because you sold a bunch of art, or Uncle Sam finally sent you your refund (I am still waiting...) then this sale might be for you.

They also offer classes in paint making etc.  One day I will go down and do that. Right now I am too busy painting.

Next blog: Taking Art and Art Supplies on the Road








Comments

Post a Comment

Popular posts from this blog

La Cucina

-
Image
Tonight my house had the aroma of olive oil, garlic, tomatoes and candles. Keith Jarret was playing in the background, and I had just opened a nice bottle of reasonable red wine. (Osborne Solaz, 2004 Temranillo/Cab- 7.00) I needed it for the sauce, so why not have some while cooking! I took good care of myself all weekend, and felt like cooking for the first time in what seems forever. I am an excellent cook. A collage cook one might say, or better yet, a bricollage cook. I take what is in the house and make a dinner out of it. I think about flavor, texture, color and variety. Most of the time I would rather put this creative energy into visual arts, but on occasion I will push my fine art aside, and the art of the evening is cooking. Candles, music, wine, and a lovely table. I must think more like Monet, and not only make the meal art, but somehow make it my visual art too. The best I could do was a photo of the beginning of the sauce. It looks rather bizarre if you ask me,
Read more

Cape Painting

-
Image
My framing blogs will continue when I’m back in the studio next week. In the mean time, I am enjoying adventures on the Cape. Again I opted to not bring oils as the place I am staying is not conducive to oil painting, so I bought watercolors and my acrylics, although I have not used the acrylics yet. I have a small messenger type bag, that I can put in a few palettes of my Kramer watercolors, several water brushes, a few paper towels, a 6x6 watercolor pad, and a watercolor postcards. This time I bought watercolor greeting cards to paint on too. I can wear this light bag across my body, and hike for miles, plopping myself down on a bench, rock, or table, and paint the scene at hand in an instant. I got to experience the tail end of hurricane Dorian too, the roiling ocean and wind captured on camera and paper, etched in my dna now. I will be bringing home new ideas, new small pieces, hundreds of photographs, ready to settle in for a fall of painting and design work for m
Read more

Framing: Sources for Frames

-
Image
When I was primarily showing fine art collages, and framing antique prints, I collected a wide variety of frames for my work- rarely were two frames were ever the same. But over the years, I have whittled down that collection, as I find myself  using either white (for abstract work) or black floater frames for my paintings. It is more professional to have a "even" look in framing one's work, especially if you are showing several works, or having a solo show. On occasion you can find frames in places like Ikea, or the Christmas Tree Shop, or other such venues. If I find good ones, I will buy them up and keep them for future work. But most of the times I either buy them at Michael's , or American Frame .  On occasion if I am flush, or need a specialty frame, or it needs special care, I will gladly go to the local art supply or framing store. But I usually don't have the money to do that...so I order and frame myself. Michael's has their sales and 40%
Read more